Sculpture on the Trail
2025
AUGUST 16, 2025 – OCTOBER 15, 2025
2025 Sculptors and Poets
Art and Nature – Free to All
CEED and Inspiration Plus are pleased to announce our fourth Sculpture on the Trail exhibition of more than 20 sculptures by Long Island Artists and texts by more than 20 local poets. The sculptures are installed in the woods and fields along CEED’s Northern Trail.
The Center for Environmental Education and Discovery (CEED) and Inspiration Plus are pleased to present their fourth annual Sculpture on the Trail exhibition – featuring 22 sculptures paired with 22 original poems all by local artists.
Set along the trail and across the scenic grounds of CEED in Brookhaven, the exhibition invites visitors to experience the connection between visual art, poetry, and nature. In keeping with CEED’s commitment to sustainability, participating artists use natural and recycled materials.
August 16–October 15, 2025 285 South Country Road, Brookhaven
Opening celebration: Saturday, August 16, 2–5 PM 3 PM – Artist reception 4 PM – Live music by Moment’s Notice featuring Carl Safina and special guest Mala Waldron
Free and open to the public.
Sculptors: Jude Amsel, Scott Bluedorn, Maurits Bosma, Pam Brown, John Cino, Gregory Corn, Andrea Cote, Pierre Cote, Robin Gianis, Justin Greenwald, William King, Scott McIntyre, Elyzabeth Meade, Peter Menderson, Katia Read, Jay Sylvester, Ted Thirlby, Aurelio Torres, Tonito Valderrama, Mark Van Wagner, Dan Welden, John Wittenberg.
Poets: Maggie Bloomfield, Kathy Donnelly, Carolyn Emerson, Karin Falcone, Adam Fisher, Mary Garcia, Russ Green, Adam Greenwald, Bruce Johnson, Nancy Keating, Mindy Kronenberg, Mankh, Claude Mayers, Haim Mizrahi, Tammy Nuzzo-Morgan, Kelly Powell, Tom Stock, David Taylor, Olivia Thirlby, Pramila Venkateswaran, James Wagner, Chip Williford.
Many sculptures are available for purchase. Please contact Jennifer Vorbach at 646-223-0161 or jennifer.vorbach@me.com
Sculpture on the Trail Event Schedule
Saturday, August 16, 2025
2:00 p.m. – 5:00 p.m. Opening Celebration
3:00 p.m. Artists’ reception – Meet the artists and the poets.
4:00 p.m. Musical guest Moment’s Notice jazz band led by Carl Safina and featuring Mala Waldron.
Sculptors
Sculptors 2025
Jude Amsel 2025
Gregory Corn - 2025
Gregory Corn – 2025
Gregory Corn –
*photo credit-
CEED Art on the Trail 2025 – AUGUST 16, 2025 – OCTOBER 15, 2025
Biography:
Gregory Corn is an American Artist whose work has been said to “expand the boundaries” of art. Corn has been making art for over half a century. In 1981 Corn founded Rockledge Industries ltd. Blending his artistry with architectural details, Corn began taking on the most creative projects he could find while always infusing his work with deep practical knowledge.
Gregory Corn’s Website: www.gregorycorn.com
Gregory Corn’s Instagram @gregorycornartist
Pierre Cote 2025
Pierre Cote 2025
1. Maurits Bosma - 2025
Mauritis Bosma – 2025
Mauritis Bosma –
*photo credit-
CEED Art on the Trail 2025 – August 22 2024
Biography:
Maurits Bosma was born on Staten Island on May 28, 1959. He was trained in Holland as a naval engineer and worked on ocean tug boats and salvage vessels. Since 1999 he has been living in the Hamptons on Long Island. The need to create artistic work became important for him.
2. Mark Van Wagner - 2025
Mark Van Wagner – 2025
Mark Van Wagner –
*Photo credit-
CEED Art on the Trail 2025 – AUGUST 16, 2025 – OCTOBER 15, 2025
Biography:
Mark Van Wagner received his Bachelor of Fine Arts degree from the School of the Art Institute of Chicago and studied Art History and Urban Planning at Colorado College. His work is included in many private and public collections throughout the United States and Europe. His deconstructive abstract paintings and sculptures are made of natural and pigmented sands that poignantly remind us of life’s cycles.
3. Dan Welden - 2025
Dan Welden – 2025
Dan Welden’s sculpture
*photo credit-
CEED Art on the Trail 2025 – AUGUST 16, 2025 – OCTOBER 15, 2025
Biography:
Dan Welden, as the original pioneer of alternative printmaking since 1970, has been at the forefront of ‘health and safety’ in the arts. As co-author of Print – making in the Sun and director of Hampton Editions, Ltd., his 50-plus years of collaboration include many talented artists.
With 91 solo exhibitions to date, including the paramount exhibitor at the Cape Cod Museum of Art and travels to 53 countries, he was awarded a ‘lifetime achievement award’ from A/E Foundation in New York; a title of Professor Emeritus from Escuela de Bellas Artes in Cusco, Peru and most recently a Pollock/Krasner Foundation Grant.
6. Pam J. Brown - 2025
Pam J. Brown
photo credit
Biography:
Pam Brown is known for making sculpture that portrays her personal story as a naturalist, inspired by the beauties and tragedies of wildlife and American history. Her artwork focuses on anthropological and environmental concerns of extinction and the human condition in reference to the natural world. Brown’s aesthetics of industrial imagery are integral to her artmaking processes, as are collecting and salvaging materials from abandoned rural and urban factory sites. Using these discarded remnants, such as wire, sheet metal, copper, wood, fabric, and rubber, she builds architectural structures and sculptures that look like artifacts. Much of this work appears worn and weathered from use or exposure and has the familiar appearance of everyday forms with the strangeness of personified objects. Brown carefully fabricates sculptures that are composed of thin skeletal elements to enclose space in an open structure, thus creating a physical and psychological sense of inner and outer that permeate our deeper selves.
Pam Brtown Instagram https://www.instagram.com/pamjbrownsculptor/
7. John Wittenberg - 2025
John Wittenberg – 2025
John Wittenberg –
*photo credit-
CEED Art on the Trail 2025 – AUGUST 16, 2025 – OCTOBER 15, 2025
About the Sculpture:
Biography:
John Wittenberg Studio is based in New York City and Southold, NY. Wittenberg’s work employs a wide range of materials that include natural and carved stone, welded steel, wood, graphite, mica, and paper to create both intimate and large-scale, site-specific pieces.
8. Andrea Cote 2025
9. Katia Ramsey Read - 2025
Katia Ramsey Read – 2025
Katia Ramsey Read – 2025
*photo credit-
CEED Art on the Trail 2025 – AUGUST 16, 2025 – OCTOBER 15, 2025
10. Scott McIntyre 2025
12. Tonito Valderrama - 2025
Tonito Valderamma –
Biography:
13. Aurelio Torres - 2025
Aurelio Torres –
Aurelio Torres –
Photo by
CEED Art on the Trail 2025 – AUGUST 16, 2025 – OCTOBER 15, 2025
Aurelio Torres sculpture was
Aurelio’s work infuses the aesthetic principles of classicism within contemporary settings. His painting typically depicts scenes from nature or portraits, and his sculptures most often interpret the simple, clean lines of wooden ships.
From a young age, Aurelio has traveled extensively around the world. This has inspired his determination to create much of his work in natural, outdoor settings. His aesthetic sensibility, as evidenced in his work, is one of essential simplicity and natural, uncontrived beauty.
Biography:
Aurelio Torres was born in Montevideo, Uruguay, to a family of artists. Aurelio’s work infuses the aesthetic principles of classicism within contemporary settings. His painting typically depicts scenes from nature, world events or portraiture, and his sculptures most often interpret the simple, clean lines of maritime vessels.
Aurellio’s work can be purchased here 1st Dibs- Aurelio Torres
https://www.instagram.com/aurelio__torres/
14. Robin Gianis - 2025
Robin Gianis – 2025
Robin Gianis –
*photo credit-
CEED Art on the Trail 2025 – AUGUST 16, 2025 – OCTOBER 15, 2025
Biography:
Robin explores the patterns of nature in ceramic art. She did her undergraduate studies at Sarah Lawrence College, the University of Michigan in Florence, Italy, and later received her teaching degree from Long Island University where she first began to explore clay. A native of Massachusetts, Robin has been an East Hampton resident for over thirty years, and a multidisciplinary Visual Art teacher, kindergarten through twelfth grade, at the Bridgehampton School for twenty-plus years.
Instagram https://www.instagram.com/robingianis/
15. Ted Thirlby -2025
Ted Thirlby –
Ted Thirlby –
*Photo Credit-
CEED Art on the Trail 2025 – AUGUST 16, 2025 – OCTOBER 15, 2025
Mixed Media
Biography:
Ted Thirlby has shown his work in multiple solo and group shows in New York City and Eastern Long Island since 1978. He works in various mediums, including sculpture on the wall and floor, painting and drawing. He is represented by Carter Burden Gallery in NYC.
16. Justin Greenwald - 2025
Justin Greenwald –
Justin Greenwald –
*photo credit-
CEED Art on the Trail 2025 – AUGUST 16, 2025 – OCTOBER 15, 2025
Biography:
Justin Greenwald has been drawing and painting since the age of eight and while he considers himself a colorist, he is just as happy to work in black-and-white. Self-portraiture, abstracted landscapes, seascapes, and repetitive mark-making comprise most of his work these days.
17. John Cino - 2025
John Cino – 2025
John Cino –
*photo credit-
CEED Art on the Trail 2025 – AUGUST 16, 2025 – OCTOBER 15, 2025
Biography:
John Cino is a sculptor, art educator, and curator. He graduated from Hunter College of the City University of New York in 1985 with a Master’s Degree in Fine Arts and from Stonybrook University in 1982 with a BA in Fine Arts. After holding positions as a gallery assistant for noted NY artist Ed Buonagurio an art teacher for the NYC public schools John began teaching on the collegiate level in 1999.
Highlights as a sculptor include the installation of Neried on the Mississippi River waterfront in Dubuque, Iowa, artist in residency programs at Stony Brook University and East End Arts Council, and two consecutive NYSCA Long Island Creative Artists Grants in 2013 and 2104. From those grants John first extended his work into public art with Library at Babel: Patchogue and then into multimedia performance with Common Ground. His work has been exhibited in sculpture parks, museums, college campuses, and lobbies including the Islip-MacArthur Airport. A cross-sectional career retrospective, Considering the Goddess was exhibited in 2022 at the Br. Kenneth Chapman Gallery, Iona University.
Cino has taught on the graduate and undergraduate levels courses in a broad range of studio practices as well as many phases of art history. Currently, he teaches sculpture and three-dimensional design at Nassau Community College and Farmingdale State College. While studying mathematics at Suffolk Community College he received a grant to create and implement an innovative course in mathematics that taught concepts in math through art making.
In the mid 90’s Cino was president of 14 Sculptors Gallery, a highly regarded sculptors’ cooperative begun in 1969. During his tenure, he organized exhibitions, and saw the relocation of the gallery and its eventual reinvention as a non-localized artists collective.
He has curated many exhibitions in New York City and Long Island including 14 Sculptors Gallery, Adelphi University, the Islip Museum, and Nassau Community College. He is the senior curator of the Patchogue Arts Council Gallery, now the Museum of Contemporary Art, Long Island, and has been since its inception in 2008. He developed and co-curated two of its largest exhibitions the Patchogue Biennials of 2009 and 2011 bringing 40 artists from Brooklyn to the East together in 12,000 sq ft. Cino speaks regularly on art and art history for PAC/MoCALI lecturing on historical topics in Learning to Look and interviewing artists in Coffee with a Curator, each offered monthly through the Patchogue Arts Council.
Cino is most noted for his fluid wood carvings which he began in 2005. After 18 years of carving a recent career retrospective in 2022 reminded him of older interests. Since late 2022 he has begun working on three new series using techniques developed in the mid-1980s.
18. Scott Bluedorn 2025
Scott Bluedorn –
Scott Bluedorn –
*photo by
CEED Art on the Trail 2025
“I am an observer of the natural world and a critic of its collision with and disruption by contemporary human society. My work is influenced by science, history, geography, cultural anthropology, “primitivism”, and supernatural tradition; and I strive to distill imagery that speaks to the collective unconscious through visual storytelling.
I work primarily in drawing and painting, collage, printmaking, assemblage, and installation, both separately or sometimes in combination. Making deeply personal work in this range of media addresses a spectrum of ideas, though there are distinct central themes pertaining to different environmental aspects.
I work primarily in a realist manner that is based on observation and recording detail, yet there is often an element of chance, chaos, and/or abstraction involved in the execution. In the last few years, I have attended many residencies and as an avid world traveler, I integrate new experiences and geographies into my work, investing in the psychic energy of a place and hoping to translate that into my art.
My current interests are in material studies, human/non-human interaction, the interconnection of living systems, “new” ecologies, climate disruption, sustainable design and living practices.”
Biography:
Scott Bluedorn is an observer of the natural world and a critic of its collision with and disruption by contemporary human society. His work is influenced by science, history, geography, cultural anthropology, “primitivism” and supernatural tradition; he strives to distill imagery that speaks to the collective unconscious through visual storytelling.
Scott Bluedorn’s Website
19. Elyzabeth Meade - 2025
Elyzabeth Meade – 2025
Elyzabeth Meade – title
*photo credit-
CEED Art on the Trail 2025 – AUGUST 16, 2025 – OCTOBER 15, 2025
Biography:
Multi-media artist Elyzabeth Meade has received numerous prizes, commissions, and residencies from institutions, performing ensembles, and dance/theater companies. In her ongoing Storefront Window Project, Meade creates performances, costumes, and sets that are in dialogue with a current art exhibit or store theme. She studied at Harvard, Sarah Lawrence, University, Dartington College, England, and received her Ph.D. at The University of Oregon.
https://www.pacpeaceproject.org/bios-collection/elyzabeth-meade
20. Peter Menderson - 2025
Peter Menderson – 2025
Peter Menderson –
*photo credit-
CEED Art on the Trail 2025 – AUGUST 16, 2025 – OCTOBER 15, 2025
Peter Menderson’s work is about connecting in the most basic physical sense but also metaphorically. His mother was Scottish from industrial Glasgow, and childhood visits to the shipyards of Clydebank with their towering cranes and great piles of anchor chains left a vivid early impression. He began making links and chain forms for a project room at P.S.1 and has continued composing with links, and rings, combined with other sculptural elements to form arrangements of weight, mass, and material that aim for a visceral and haptic connection to the the viewer.
Uncovering the ancient chain and ring forms hiding in plain sight for use in his sculpture, Peter found a direct and elegant path to combine diverse materials and to investigate the weight and the beauty of the random, as the links lie against one another like jacks thrown by a child. It is in the “piling up” of the forms that the truly sculptural occurs. That the links and rings can be rearranged is essential to the ethereal presence of the work.
Peter has an MFA in sculpture from Yale, and lives and works in NewYork City and Bellport, NY.
Biography:
Peter Menderson is a sculptor who lives and works in NYC and Bellport. he graduated from Yale Art School and has shown his work at PS1 and most recently at CEED and at Marquee Projects. experimenting with diverse materials and finding new ways to combine them drives his work.
Peter Menderson’s Instagram- @pmenderson
21. Jay Sylvester - 2025
Jay Sylvester – 2025
Jay Sylvester
Photo by
CEED Art on the Trail 2025 – AUGUST 16, 2025 – OCTOBER 15, 2025
Biography:
Jay Sylvester lives and works in his studio in Bellport, NY where he sources materials and inspiration from the fields, forests and beaches of Long Island. His work references the existential complexity of man’s relationship with nature: the tension between oneness and separateness, and the beauty of decay and renewal.
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1. Mauritis Bosma – 2025 & Maggie Bloomfield - The Living and the Dead
Mauritis Bosma – 2025

Mauritis Bosma –*photo credit-CEED Art on the Trail 2025 – August 22 2024Biography:Maurits Bosma was born on Staten Island on May 28, 1959. He was trained in Holland as a naval engineer and worked on ocean tug boats and salvage vessels. Since 1999 he has been living in the Hamptons on Long Island. The need to create artistic work became important for him.
The Living and the Dead – Maggie BloomfieldBased on a work by Aurelio Torres and the research of Ian Urbino
Like a cypress with two trunks
pillars ascend from the deep,
holdm tangled wires of steel,
a network of rusted cages symbolizing
the chaos and disregard for oceans-
the Asian Pacific,
the West African Atlantic.
How seductive a life at sea–offering
freedom, escape from lives destabilized
by governments, laws, families,
guilt.
In the tortured spaces of these wires,
murder waits.
Davey Jones Locker a morgue,
ocean outlaws, sporting
dark fishing fleets, ghost boats.
Wishful fishermen,
naïve to the uncompromising greed
of companies and captains,
are conscripted, trafficked, enslaved,
sleep in caves beneath decks,
trawl 45 foot nets until their backs break.
Without enough squid or sea bass in their nets,
sent below to die of scurvy
or meet a watery death along with
piles of unwanted sea life- fish, porpoises,
coral reefs, trapped, tossed
to the bottom of the world.
Bodies of men and fish drift ashore,
discarded by illegal Chinese squid trawlers,
pollute Gambia’s once vibrant beaches,
left to become dust.
We don’t think about Dark Fleets
while sunning on our pristine beaches.
Eating chilean sea bass, we don’t consider
the carbon footprint of thousands
of unwatched, unmonitored
fishing boats.
These pillars reach up to the sky, expose
the crimes, offer awareness, sunlight,
hope
for a thousand Sea Shepherds,
Green Peace vessels,
to navigate the ravaged waters,
follow the black ships,
burn their nets, bring criminals to justice,
unwind and repair the world
where lifeblood begins–
the magnificent sea.
Maggie Bloomfield
www.maggiebloomfield.com
Column 1
Text or image here

Column 2
More content here

Content for Column 1. This text will be aligned to the top.
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More text in Column 2.
Mauritis Bosma – 2025

Photo credit: CEED Art on the Trail 2025 – August 22 2024
Biography: Maurits Bosma was born on Staten Island on May 28, 1959. He was trained in Holland as a naval engineer and worked on ocean tug boats and salvage vessels. Since 1999 he has been living in the Hamptons on Long Island. The need to create artistic work became important for him.
The Living and the Dead – Maggie Bloomfield
Based on a work by Aurelio Torres and the research of Ian Urbino
pillars ascend from the deep,
hold tangled wires of steel,
a network of rusted cages symbolizing
the chaos and disregard for oceans—
the Asian Pacific,
the West African Atlantic.How seductive a life at sea—offering
freedom, escape from lives destabilized
by governments, laws, families,
guilt.
In the tortured spaces of these wires,
murder waits.
Davey Jones Locker a morgue,
ocean outlaws, sporting
dark fishing fleets, ghost boats.
Wishful fishermen,
naïve to the uncompromising greed
of companies and captains,
are conscripted, trafficked, enslaved,
sleep in caves beneath decks,
trawl 45 foot nets until their backs break.
Without enough squid or sea bass in their nets,
sent below to die of scurvy
or meet a watery death along with
piles of unwanted sea life—fish, porpoises,
coral reefs, trapped, tossed
to the bottom of the world.
Bodies of men and fish drift ashore,
discarded by illegal Chinese squid trawlers,
pollute Gambia’s once vibrant beaches,
left to become dust.
We don’t think about Dark Fleets
while sunning on our pristine beaches.
Eating Chilean sea bass, we don’t consider
the carbon footprint of thousands
of unwatched, unmonitored
fishing boats.
These pillars reach up to the sky, expose
the crimes, offer awareness, sunlight,
hope
for a thousand Sea Shepherds,
Green Peace vessels,
to navigate the ravaged waters,
follow the black ships,
burn their nets, bring criminals to justice,
unwind and repair the world
where lifeblood begins—
the magnificent sea.
—Maggie Bloomfield
www.maggiebloomfield.com
Mauritis Bosma – 2025
Mauritis Bosma – *photo credit-CEED Art on the Trail 2025 – August 22 2024
Biography:
Maurits Bosma was born on Staten Island on May 28, 1959. He was trained in Holland as a naval engineer and
worked on ocean tug boats and salvage vessels. Since 1999 he has been living in the Hamptons on Long Island.
The need to create artistic work became important for him.
The Living and the Dead – Maggie Bloomfield
Based on a work by Aurelio Torres and the research of Ian Urbino
Like a cypress with two trunks
pillars ascend from the deep,
holdm tangled wires of steel,
a network of rusted cages symbolizing
the chaos and disregard for oceans–
the Asian Pacific,
the West African Atlantic.
How seductive a life at sea–offering
freedom, escape from lives destabilized
by governments, laws, families,
guilt.
In the tortured spaces of these wires,
murder waits.
Davey Jones Locker a morgue,
ocean outlaws, sporting
dark fishing fleets, ghost boats.
Wishful fishermen,
naïve to the uncompromising greed
of companies and captains,
are conscripted, trafficked, enslaved,
sleep in caves beneath decks,
trawl 45 foot nets until their backs break.
Without enough squid or sea bass in their nets,
sent below to die of scurvy
or meet a watery death along with
piles of unwanted sea life- fish, porpoises,
coral reefs, trapped, tossed
to the bottom of the world.
Bodies of men and fish drift ashore,
discarded by illegal Chinese squid trawlers,
pollute Gambia’s once vibrant beaches,
left to become dust.
We don’t think about Dark Fleets
while sunning on our pristine beaches.
Eating chilean sea bass, we don’t consider
the carbon footprint of thousands
of unwatched, unmonitored
fishing boats.
These pillars reach up to the sky, expose
the crimes, offer awareness, sunlight,
hope
for a thousand Sea Shepherds,
Green Peace vessels,
to navigate the ravaged waters,
follow the black ships,
burn their nets, bring criminals to justice,
unwind and repair the world
where lifeblood begins–
the magnificent sea.
Maggie Bloomfield
www.maggiebloomfield.com
test tabl
Gregory Corn – 2025
![]() Gregory Corn –*photo credit-CEED Art on the Trail 2025 – AUGUST 16, 2025 – OCTOBER 15, 2025Biography:Gregory Corn is an American Artist whose work has been said to “expand the boundaries” of art. Corn has been making art for over half a century. In 1981 Corn founded Rockledge Industries ltd. Blending his artistry with architectural details, Corn began taking on the most creative projects he could find while always infusing his work with deep practical knowledge. Gregory Corn’s Website: www.gregorycorn.com Gregory Corn’s Instagram @gregorycornartist |
Maggie Bloomfield – The Living and the Dead The Living and the Dead – Maggie BloomfieldBased on a work by Aurelio Torres and the research of Ian UrbinoLike a cypress with two trunkspillars ascend from the deep,holdm tangled wires of steel,a network of rusted cages symbolizingthe chaos and disregard for oceans-the Asian Pacific,the West African Atlantic. How seductive a life at sea–offering freedom, escape from lives destabilized by governments, laws, families, guilt. In the tortured spaces of these wires, murder waits. Davey Jones Locker a morgue, ocean outlaws, sporting dark fishing fleets, ghost boats. Wishful fishermen, naïve to the uncompromising greed of companies and captains, are conscripted, trafficked, enslaved, sleep in caves beneath decks, trawl 45 foot nets until their backs break. Without enough squid or sea bass in their nets, sent below to die of scurvy or meet a watery death along with piles of unwanted sea life- fish, porpoises, coral reefs, trapped, tossed to the bottom of the world. Bodies of men and fish drift ashore, discarded by illegal Chinese squid trawlers, pollute Gambia’s once vibrant beaches, left to become dust.
We don’t think about Dark Fleets while sunning on our pristine beaches. Eating chilean sea bass, we don’t consider the carbon footprint of thousands of unwatched, unmonitored fishing boats.
These pillars reach up to the sky, expose the crimes, offer awareness, sunlight, hope for a thousand Sea Shepherds, Green Peace vessels, to navigate the ravaged waters, follow the black ships, burn their nets, bring criminals to justice, unwind and repair the world where lifeblood begins– the magnificent sea.
Maggie Bloomfield www.maggiebloomfield.com |
Poets
Poets 2025
Maggie Bloomfield - The Living and the Dead
The Living and the Dead – Maggie Bloomfield
Based on a work by Aurelio Torres and the research of Ian Urbino
Like a cypress with two trunks
pillars ascend from the deep,
holdm tangled wires of steel,
a network of rusted cages symbolizing
the chaos and disregard for oceans-
the Asian Pacific,
the West African Atlantic.
How seductive a life at sea–offering
freedom, escape from lives destabilized
by governments, laws, families,
guilt.
In the tortured spaces of these wires,
murder waits.
Davey Jones Locker a morgue,
ocean outlaws, sporting
dark fishing fleets, ghost boats.
Wishful fishermen,
naïve to the uncompromising greed
of companies and captains,
are conscripted, trafficked, enslaved,
sleep in caves beneath decks,
trawl 45 foot nets until their backs break.
Without enough squid or sea bass in their nets,
sent below to die of scurvy
or meet a watery death along with
piles of unwanted sea life- fish, porpoises,
coral reefs, trapped, tossed
to the bottom of the world.
Bodies of men and fish drift ashore,
discarded by illegal Chinese squid trawlers,
pollute Gambia’s once vibrant beaches,
left to become dust.
We don’t think about Dark Fleets
while sunning on our pristine beaches.
Eating chilean sea bass, we don’t consider
the carbon footprint of thousands
of unwatched, unmonitored
fishing boats.
These pillars reach up to the sky, expose
the crimes, offer awareness, sunlight,
hope
for a thousand Sea Shepherds,
Green Peace vessels,
to navigate the ravaged waters,
follow the black ships,
burn their nets, bring criminals to justice,
unwind and repair the world
where lifeblood begins–
the magnificent sea.
Maggie Bloomfield
www.maggiebloomfield.com
Kathaleen Donnelly - Sentinels
Sentinels – Kathy Donnelly For Scott McIntire
Each one, tall, carved, colored—
implying depth of character,
an individual soldier sent to protect
the weak, the soft, the fragile.
They stand in perfect communion,
responsible and strong, what ever
position they take in the field.
Dedicated, perfect resolve.
I think of how the world would be
so very different if we all had
protection around us, wrapped up
in a cocoon where harm could not
barge in, threaten, malign, penetrate
through. Nothing to worry about,
la-de-da, la-de-da. Our thoughts
could go directly to our lives, our arts.
I think of the 7-year-old little girl
who was traumatized beyond beyond.
I know her a little because I am
reading her book. She wrote poetry.
Not able to tell her captors anything
about herself, not English speaking,
she was put into the hull of a slave ship,
1700s, called the Phillis. That became
her first name. Months later, scantily clad,
skin and bones, hungry and standing alone
on an auction block, she was purchased
for a small sum.
John Wheatley was looking for a companion
for his wife. They fell in love with her, treated
her as family, educated her with their own
children, discovered a prodigy.
Her poetry claimed her fame. She published
in 1773, Boston, London, became a figure
in American literature. George Washington
celebrated her writing, invited her to dine.
Absent of sentinels in her young life,
she found herself celebrated for her gifts
most likely never found had she been
saved the trip across the sea.
She writes this poem:
“On Being Brought From Africa to America”:
TWAS mercy brought me from my Pagan land,
Taught my benighted soul to understand
That there’s a God, that there’s a Saviour too:
Once I redemption never sought nor knew.
Some view our sable race with scornful eye,
“Their color is a diabolic die.”
Remember Christians, Negroes, black as Cain,
May be refin’d, and join th’ angelic train.
Lacking those who would protect her
from separation—home and family,
angelic sentinels joined forces,
an extraordinary job, later, as if planned.
I have felt protected at times in my life,
things that could’ve happened but didn’t.
I look at these wooden carvings in Scott
McIntier’s sculpture, choose my angel
to be the blue one!
Kathaleen Donnelly
Biography:
Kathaleen Donnelly is a 1976 graduate of St. Vincent’s, formerly in Greenwich Village, who works at StonyBrook Medical Center as a Nurse Practitioner in Cardiology. With a little help from her friends, she created three anthologies: Paumanok: Poems and Pictures of Long Island, Interwoven, and Transition. She strives to write poems you’d enjoy reading.
http://www.poetographyLongIsland.com
Carolyn Emerson -Seasons
Seasons – Carolyn Emerson
In the dark underground,
a confusion of roots :
some in a state of dormancy–
a time of rest to conserve energy,
consuming stored sugars,
for survival in adverse weather.
For those still active,
whenever possible,
roots take up water,
gather nutrients;
leaves or needles
processing sunlight.
In the dark some sleep or
cogitate, speculate, deliberate
about plans for thriving
outside of chaos.
Sometimes it is the charred seeds
which at last, release new shoots,
while others wait for longer light,
then offer up bright, shiny sprouts.
What has grown out of chaos,
falls into a natural order,
as roots, stems, leaves intertwine
into a vibrant whole.
Karin Falcone - 2025
Karin Falcone
Writer, poet, advocate, gardener, chef, compulsive weeder, typewriter enthusiast, child of Hodge Podge Lodge, follower of the moon. Karin Falcone Krieger’s recent writing including reviews, stories and poems are in BlazeVOX, The Decadent Review, Tupelo Quarterly, LITPUB, Moonlighting, The Literary Review, Tofu Ink Arts Press, Viewless Wings Podcast, and in the anthology, A physical book which compiles conceptual books (Partial Press, 2022). She taught writing as an adjunct instructor for 20 years, and was an adjunct union representative. (Links to her recently published works are here.) She holds an MFA from The Jack Kerouac School of Disembodied Poetics at Naropa Institute, now Naropa University, where she studied with Anne Waldman, Allen Ginsberg, Meredith Monk, Lynn Hejinian, Bobbie Louise Hawkins and others. She holds a BA in Social Sciences from SUNY Stony Brook, where she served as a writer and editor at The Stony Brook Press, the alternative biweekly newspaper, and was a deejay on WUSB 90.7 FM. She is the publisher of various chaps and zines including 1,000,000, an REM inspired zine, and artICHOKE.
In 2022 she became a Master Gardener through Cornell Cooperative Extension and volunteers in the demonstration gardens at CEED in Brookhaven, NY. Her project, Wild Working Gardens is dedicated to regenerating the soil through organic practices and teaching others to create gardens that provide food and flowers for all, including birds and butterflies. She has studied the works of Louise Riotte on the particulars of Astrological Gardening, using the moon to maximize beneficial practices and save effort in the garden. She writes a weekly newsletter to advise gardeners on the timing of their gardening activities to align with the moon phases and signs. She is available for virtual or in-person garden consultations and home cooking services on Long Island, NY.
http://www.karinfalconekrieger.com/
Adam Fisher - WONDER
WONDER – Adam Fisher
Wow! I never expected to see
a large banner along the path
tied to two trees with leaves
and a person making their way
through the foliage as I am.
It prompts me to look
closely, side to side
at the vines and brambles,
the wonder of green,
the graceful shapes
of leaves, smooth edged
saw toothed, shiny, matte,
so many, so different,
astonishing though
so ordinary even turning
sunlight into food—magic!
Yes, we live in a wonderland—
be ready.
Adam Fisher
Biography:
Adam D. Fisher, rabbi emeritus of Temple Isaiah, Stony Brook, NY is the author of numerous articles and two books of liturgy. He is also the author of a book of short fiction, and four books of poetry. He was the Poetry Editor of the CCAR Journal from 2006-2014.
M. Francis Garcia - Birthday, 1970
Birthday, 1970 – Mary Francis Garcia
He reflected on his birthday
with wise gesture and
a witty sense of humor;
grace for himself, allowance
for errors as a means to learn
how to improve;
laughter, and charitable empathy
for those who had wronged
him long ago. He presently released
all that did not serve him as
he stroked his chin with
the crepe texture skin
of time, careful not to
tear the sacred membrane
of that moment, seated
with his legs casually
extended in the gentle
forest, surrounded in nature by
autumn’s golden splendor,
crisp yellow leaves beneath
his feet, he allowed now his joy
in creating with aluminum
to fully energize his body and soul;
he felt good, on this, his birthday, that in
quiet meditation, he had silently
chiseled a peaceful
place within himself.
Mary F. Garcia
Biography:
M. Frances Garcia, M.A., LMSW, is a social worker, contemplative poet, and photographer. She teaches English at Suffolk County Community College.
Russ Green - 2025
Russ Green
Biography:
Russ Green, a graduate of Hofstra University, has served as co-editor at Great Weather for Media, and has run reading series and poetry and arts events around Long Island and NYC. In addition to hosting and curating poetry stages at various festivals, Russ has read his work in cities across America.
Adam Greenwald - Serenity
Serenity – Adam Greenwald
I listen to the soft whisper of the Almighty, as the ocean waves ebb and flow across the shoreline. Calmness and clarity envelops my mind; heart ever so pure. Eyes closed, my spirt soars through the sunlit sky, on winds that take me beyond space and time.
Freedom from worldly pleasures, humdrum happenings, loneliness, sorrow… Escaping darkness, troubles and suffering that often leave a man or woman destitute, without hope of Salvation. Indeed, I am weak in my flesh; temptation has overtaken me. I’m inclined to fall victim to the trickery of the serpent; traps set by my enemies.
These feeble bones will one day decay. Inspite of fear, shame, regret, despair… I vividly remember the cost of every single sin payed on the Cross. Instead of condemnation, comfort fills my entire being with radiant love, infinitely more brilliant and beautiful than anything I’ve ever been offered.
I am no longer plagued by the inhumane conditions of this earthly realm. My heavenly treasure awaits me; heaviness has become light. My once crooked path is now straight. Joy is my portion, holiness is within.
Completely conscious, forever free; I’ve been shown true mercy, experienced His saving grace, gently held in the arms of CHRIST JESUS… Awakened to the Glory of The Great I AM. Healed from infirmity, delivered from all filth and wretchedness; my sins have been forgiven. Evil has been defeated.
Adam Greenwald
Bruce Johnson - Nippon Daisies
Nippon Daisies – Bruce Johnson
Voyagers from the rocky shores of Honshu
come to set roots in the sandy soils
of Montauk, Freeport, Sea Cliff.
Immigrants, optimists,
settling in a new home,
taking on a new name, American name—
better to find acceptance.
Bold, bright flowers, perennial,
late but dependable bloomers,
adorning a garden of stunning profusion.
Who would not love you?
Bruce Johnson
Nancy Keating - Nothing Here Is Random
Nothing Here Is Random – Nancy Keating
Arrange it
so these twigs these branches
rocks shells and recycled detritus
speak to me, I mean
arrange them
because you brought them together
who would never meet
except in dream or myth
there are no accidents
art is what you/I see
and what makes you/me see
and you/I see more than
we think
what do we see but gods and goddesses
of sea and forest
every cosmology has ancestors
and the idea of fate
the more we look the more
hallucinogenic these shapes
become and how familiar
you were two and in the backyard
clutching bits of shells
and stumbling after spiders
because you had to see
what do you/I love most
look as if for the last time
Nancy Keating
Biography:
Nancy Keating’s poetry has been seen in The South-Hampton Review, New Letters, Gettysburg Review, Beloit Poetry Journal, and elsewhere. A three-time Pushcart Prize nominee, she has two books and a chapbook to her credit. She has an MFA from Stony Brook University and teaches at Farmingdale State College.
Mindy Kronenberg - Bird Song/I Am
Bird Song/I Am – Mindy Kronenberg
After the light first emerged
Between swaying shadows of trees
outside the clouded window
where the unknown world
churned its breath
Before my own voice
Unfurled imagined music
I felt the air rife with sound—
Meek, then wild,
Swirling my crib, rising
In a wondrous spiral
Over my head, stars grown wings
Song summoning words
Feathered for flight
My heart buoyant with joy
My tongue seeking
The names of things
Waiting to be unleashed
In my burgeoning, beckoning life
Mindy Kronenberg
Biography:
Mindy Kronenberg is an award-winning poet, writer, critic, and professor, SUNY Empire State University, with work appearing internationally in hundreds of print and online publications. Her poetry has been featured in live performance/broadcast programming and in art installations. She edits Oberon poetry magazine and reviews books for Mom Egg.
https://www.pw.org/directory/writers/mindy_kronenberg
www.facebook.com/mindy.kronenberg.1
. Mankh (Walter E. Harris III) - 2025
– Mankh (Walter E. Harris III)
Mankh (Walter E. Harris III)
Biography:
Mankh (Walter E. Harris III) encourages people to learn from direct experiences, not just head knowledge. He is a small press publisher and author of 17 books, traveling a holistic mystic Kaballah-rooted pathway staying in touch with Turtle Island and the cycles of the Seasons.
&
Substack “Musings from Between the Lines”:
https://musingsbetweenlines.
. Claude Mayers - 2025
– Claude Mayers
Claude Mayers
Biography:
Claude Mayers, a prolific and eclectic poet is dedicating the last quarter of his life to activism and awareness. As a surfer and health professional, his worldview revolves around the respect for nature and all forms-of-life’s vagaries. Since 1983 he’s produced and hosted multiple televised poetry readings in New York’s Hamptons.
http://claudemayers.com/category/poems-Others-musings
. Haim Mizrahi - For the Sculpture
For the Sculpture – Haim Mizrahi
Left alone in an age, distant from someone’s creation—
like an offering of loyalty,
adding tubes through the inner spears of coming together—
maybe as faith-sharers,
clearing the space designated to sing
the songs of impossibilities,
looking toward the key,
somewhat bleeping
under cover
and without shame.
Driven from estrangement, blinking backward—
into the revelation of shape and shadow.
The voice behind the strings vibrates—
joyfully silenced, ruled and welded
with throne and thorn.
A cooking trunk, rooted,
blessed fully—dreaming, shooting
the early signs of permanence
across the range:
from honesty to spectacle,
from trade to lovemaking—
a scene lasting
beyond the earth-moving drills.
Here you are,
with majestic tricks of the eye—
if the wondering eye
were hanging from a tree,
nesting,
an option never taken
at its most observant moment.
Observing from inner dampness, so blessed—
the earth of fertility.
Shining lights of hope,
honing forces in a casual afternoon—
a long one,
driven into the penetrated aspect of last breath,
cueing a ritual well-deserved—
to be the realized factor
of waving hands,
woven lastly
with mutual admiration.
Haim Mizrahi
Biography:
Haim Mizrahi is an internationally exhibited painter and poet who has hosted an arts interview show, “Hello-Hello,” at LTV in Wainscott, Long Island, since 2000, and has shown his work and curated literary events at Ashawagh Hall in Springs, NY. His collaborative poetry book, Slipcover, was published in 2021.
. Tammy Nuzzo-Morgan - 2025
– Tammy Nuzzo-Morgan
Tammy Nuzzo-Morgan, PhD
Biography:
Tammy Nuzzo-Morgan, Ph.D., founder and president of the Long Island Poetry & Literature Repository, was the first woman Suffolk County Poet Laureate (2009 – 2011), the 2017 Walt Whitman Birthplace Long Island Poet of the Year, and Poet of the Month (October) for The Seventh Quarry Press, Swansea, Wales.
. Kelly Powell - nest of flames
nest of flames – Kelly Powell
two fledgling phoenix
jump from a nest of flames
feathered in harsh words
unrequited love and unrealizable
dreams and expectations
one wrapped inside
the other’s tiny scarlet
freshly broken wing
paralyzes
staring bravely ahead, stumbling
they emerge disoriented
wander needlessly
and repeatedly
back into the fire
tiny flames
greedily licking their feet
like confections
again and again
they return dazed
sleepwalkers, hypnotized
immortal
Kelly Powell
Biography:
Kelly J. Powell is a poet native to Long Island and a 1988 graduate of SUNY Binghamton’s Creative Writing Program. She has performed widely on Long Island and in NYC. She has a new book of poems called Posthumously Yours from Local Gems Press, available on Amazon.
. Tom Stock - A Sculpture With No Form
A SCULPTURE WITH NO FORM – Tom Stock
HER FACE
She met with a Plastic surgeon
Sculptor of faces
Surveyed her skin
Used a pencil to draw lines
Nose, chin, cheeks, neck
Bags under her eyes
“$5,000 for a new life”
Three weeks later
The moment she’d been waiting for
To look in her mirror
To see the beauty she wanted
He removed the bandages
Slowly she saw a new her
At a party, a man approached her
“May I have the pleasure of knowing your name?”
Sculpture changed her life
Tom Stock
Biography:
Tom Stock’s recently published third book of poems is Buffet. Stock is a poet of place with his first two books on the Pine Barrens and Fire Island National Sea Shore. He is poet-in-residence for an organic farm and the Hempstead Plains.
. David Taylor - I Know a Blue
I Know a Blue – David Taylor
(after Dan Welden’s Optimistic Sphere)
I know a blue like a deep exhale,
water under an afternoon thought,
an azure noon over a forest,
A liturgy of asters and spiderwort,
an oath of sapphire and senses
to all that’s beyond me,
An iridescent cobalt of tuna,
a navy crest of kingfisher,
a nod to the teal and tones of scale and feather,
I know a blue like a sphere,
a hope of sky and water,
a rounded cerulean wish
And these indigo words in their hue,
sound and sight,
a blue to which I return, and perhaps,
you too return.
David Taylor
Biography:
David Taylor is an Associate Professor and Faculty Director of the Environmental Humanities track in the Sustainability Studies Program in the School of Marine and Atmospheric Sciences at Stony Brook University. His writing crosses disciplinary boundaries and genres—poetry, creative nonfiction, scholarship, and science writing; however, at the core of his work is always a concern for environmental sustainability and community.
https://www.stonybrook.edu/commcms/somas/people/_profiles/david-taylor.php
https://www.facebook.com/profile.php?id=804500042&mibextid=LQQJ4d
Olivia Thirlby - 2025
Olivia Thirlby
I sing from where I merge
The inside space
Where the circles overlap
One, what is me
And the other, what is not
Forming between them
An impossible truth
I will search for endless ways
To decorate this secret room
Where I feel everything
Everything
That is mine
And everything too
That is beyond my purported end
I have beheld these walls in infinite ways
Hard and contoured
A bruise of purple earth
Dripping with blood
Or metallic and popping
Prismatic with light
Evaporating like a sparkler
In a child’s hand
I have felt it in a river
Sloshing and opaque
Between the pillars of the dock
And I have felt it on my knees
At the foot of redwoods
Weeping for all I want
I have felt it in my cells, splitting
And in my heart, breaking
I have felt it in my skin, burning
And in my chest
Pressed against a mountainside
I have felt it between bodies
All parts of them
And I feel it
New between each soul and mine
An oak, an altitude, a stranger in the crowd
I dissolve, emergent
Reconstitute of my pieces
Polishing the glass of me
Smelling my own scent
Through you
I follow myself home
. Pramila Venkateswaran - 2025
– Pramila Venkateswaran
Pramila Venkateswaran
Biography:
Pramila Venkateswaran, poet laureate of Suffolk County, Long Island (2013-15) and co-director of Matwaala: South Asian Diaspora Poetry Festival, is the author of many poetry volumes, the most recent being We Are Not a Museum (Finishing Line Press, 2022), winner of the New York Book Festival award.
Website: http://www.pramilav.com/
. James P. Wagner (Ishwa) - 2025
– James P. Wagner (Ishwa)
~James P. Wagner (Ishwa)
Biography:
James P. Wagner (Ishwa) is the publisher for Local Gems Press, founder of the Bards Initiative, and 79 owner-operator of the Dog-Eared Bard’s Book Shop in East Northport, N.Y. He has edited over 120 poetry anthologies.
. Chip Williford - 2025
– Chip Williford
Chip Williford
Biography:
Chip Williford is the Director/Co-host of Poetry Street, an online and in-person reading series, a writer and filmmaker, and an advocate and activist for peace and human rights. His publications include Nassau County Poet Laureate Society Review, Performance Poets Association Annual Literary Review, and The Sailors Review.
https://www.chipwilliford.com/about
Thank you to all who made this an incredible event. See you next year!
If you are interested in our 2024 Sculpture on the Trail event click here.
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Sculptors
Poets
Jude Amsel 2025
Jude Amsel 2025
Maggie Bloomfield - The Living and the Dead
The Living and the Dead – Maggie Bloomfield
Based on a work by Aurelio Torres and the research of Ian Urbino
Like a cypress with two trunks
pillars ascend from the deep,
holdm tangled wires of steel,
a network of rusted cages symbolizing
the chaos and disregard for oceans-
the Asian Pacific,
the West African Atlantic.
How seductive a life at sea–offering
freedom, escape from lives destabilized
by governments, laws, families,
guilt.
In the tortured spaces of these wires,
murder waits.
Davey Jones Locker a morgue,
ocean outlaws, sporting
dark fishing fleets, ghost boats.
Wishful fishermen,
naïve to the uncompromising greed
of companies and captains,
are conscripted, trafficked, enslaved,
sleep in caves beneath decks,
trawl 45 foot nets until their backs break.
Without enough squid or sea bass in their nets,
sent below to die of scurvy
or meet a watery death along with
piles of unwanted sea life- fish, porpoises,
coral reefs, trapped, tossed
to the bottom of the world.
Bodies of men and fish drift ashore,
discarded by illegal Chinese squid trawlers,
pollute Gambia’s once vibrant beaches,
left to become dust.
We don’t think about Dark Fleets
while sunning on our pristine beaches.
Eating chilean sea bass, we don’t consider
the carbon footprint of thousands
of unwatched, unmonitored
fishing boats.
These pillars reach up to the sky, expose
the crimes, offer awareness, sunlight,
hope
for a thousand Sea Shepherds,
Green Peace vessels,
to navigate the ravaged waters,
follow the black ships,
burn their nets, bring criminals to justice,
unwind and repair the world
where lifeblood begins–
the magnificent sea.
Maggie Bloomfield
www.maggiebloomfield.com
Mauritis Bosma – 2025
Mauritis Bosma –
*photo credit-
CEED Art on the Trail 2025 – August 22 2024
Biography:
Maurits Bosma was born on Staten Island on May 28, 1959. He was trained in Holland as a naval engineer and worked on ocean tug boats and salvage vessels. Since 1999 he has been living in the Hamptons on Long Island. The need to create artistic work became important for him.
Sentinels - Kathy Donnelly For Scott McIntire
Sentinels – Kathy Donnelly For Scott McIntire
Each one, tall, carved, colored—
implying depth of character,
an individual soldier sent to protect
the weak, the soft, the fragile.
They stand in perfect communion,
responsible and strong, what ever
position they take in the field.
Dedicated, perfect resolve.
I think of how the world would be
so very different if we all had
protection around us, wrapped up
in a cocoon where harm could not
barge in, threaten, malign, penetrate
through. Nothing to worry about,
la-de-da, la-de-da. Our thoughts
could go directly to our lives, our arts.
I think of the 7-year-old little girl
who was traumatized beyond beyond.
I know her a little because I am
reading her book. She wrote poetry.
Not able to tell her captors anything
about herself, not English speaking,
she was put into the hull of a slave ship,
1700s, called the Phillis. That became
her first name. Months later, scantily clad,
skin and bones, hungry and standing alone
on an auction block, she was purchased
for a small sum.
John Wheatley was looking for a companion
for his wife. They fell in love with her, treated
her as family, educated her with their own
children, discovered a prodigy.
Her poetry claimed her fame. She published
in 1773, Boston, London, became a figure
in American literature. George Washington
celebrated her writing, invited her to dine.
Absent of sentinels in her young life,
she found herself celebrated for her gifts
most likely never found had she been
saved the trip across the sea.
She writes this poem:
“On Being Brought From Africa to America”:
TWAS mercy brought me from my Pagan land,
Taught my benighted soul to understand
That there’s a God, that there’s a Saviour too:
Once I redemption never sought nor knew.
Some view our sable race with scornful eye,
“Their color is a diabolic die.”
Remember Christians, Negroes, black as Cain,
May be refin’d, and join th’ angelic train.
Lacking those who would protect her
from separation—home and family,
angelic sentinels joined forces,
an extraordinary job, later, as if planned.
I have felt protected at times in my life,
things that could’ve happened but didn’t.
I look at these wooden carvings in Scott
McIntier’s sculpture, choose my angel
to be the blue one!
Kathaleen Donnelly
Biography:
Kathaleen Donnelly is a 1976 graduate of St. Vincent’s, formerly in Greenwich Village, who works at StonyBrook Medical Center as a Nurse Practitioner in Cardiology. With a little help from her friends, she created three anthologies: Paumanok: Poems and Pictures of Long Island, Interwoven, and Transition. She strives to write poems you’d enjoy reading.
http://www.poetographyLongIsland.com
2. Mark Van Wagner – 2025
Mark Van Wagner –
*Photo credit-
CEED Art on the Trail 2025 – AUGUST 16, 2025 – OCTOBER 15, 2025
Biography:
Mark Van Wagner received his Bachelor of Fine Arts degree from the School of the Art Institute of Chicago and studied Art History and Urban Planning at Colorado College. His work is included in many private and public collections throughout the United States and Europe. His deconstructive abstract paintings and sculptures are made of natural and pigmented sands that poignantly remind us of life’s cycles.
Mark Van Wagner’s Website
Instagram @mark.van
Carolyn Emerson -Seasons
Seasons – Carolyn Emerson
In the dark underground,
a confusion of roots :
some in a state of dormancy–
a time of rest to conserve energy,
consuming stored sugars,
for survival in adverse weather.
For those still active,
whenever possible,
roots take up water,
gather nutrients;
leaves or needles
processing sunlight.
In the dark some sleep or
cogitate, speculate, deliberate
about plans for thriving
outside of chaos.
Sometimes it is the charred seeds
which at last, release new shoots,
while others wait for longer light,
then offer up bright, shiny sprouts.
What has grown out of chaos,
falls into a natural order,
as roots, stems, leaves intertwine
into a vibrant whole.
3. Dan Welden - 2025
Dan Welden – 2025
Dan Welden’s sculpture
*photo credit-
CEED Art on the Trail 2025 – AUGUST 16, 2025 – OCTOBER 15, 2025
Biography:
Dan Welden, as the original pioneer of alternative printmaking since 1970, has been at the forefront of ‘health and safety’ in the arts. As co-author of Print – making in the Sun and director of Hampton Editions, Ltd., his 50-plus years of collaboration include many talented artists.
With 91 solo exhibitions to date, including the paramount exhibitor at the Cape Cod Museum of Art and travels to 53 countries, he was awarded a ‘lifetime achievement award’ from A/E Foundation in New York; a title of Professor Emeritus from Escuela de Bellas Artes in Cusco, Peru and most recently a Pollock/Krasner Foundation Grant.
Dan Welden’s Website
https://www.instagram.com/danwelden.solarplate/
Karin Falcone
Karin Falcone
Writer, poet, advocate, gardener, chef, compulsive weeder, typewriter enthusiast, child of Hodge Podge Lodge, follower of the moon. Karin Falcone Krieger’s recent writing including reviews, stories and poems are in BlazeVOX, The Decadent Review, Tupelo Quarterly, LITPUB, Moonlighting, The Literary Review, Tofu Ink Arts Press, Viewless Wings Podcast, and in the anthology, A physical book which compiles conceptual books (Partial Press, 2022). She taught writing as an adjunct instructor for 20 years, and was an adjunct union representative. (Links to her recently published works are here.) She holds an MFA from The Jack Kerouac School of Disembodied Poetics at Naropa Institute, now Naropa University, where she studied with Anne Waldman, Allen Ginsberg, Meredith Monk, Lynn Hejinian, Bobbie Louise Hawkins and others. She holds a BA in Social Sciences from SUNY Stony Brook, where she served as a writer and editor at The Stony Brook Press, the alternative biweekly newspaper, and was a deejay on WUSB 90.7 FM. She is the publisher of various chaps and zines including 1,000,000, an REM inspired zine, and artICHOKE.
In 2022 she became a Master Gardener through Cornell Cooperative Extension and volunteers in the demonstration gardens at CEED in Brookhaven, NY. Her project, Wild Working Gardens is dedicated to regenerating the soil through organic practices and teaching others to create gardens that provide food and flowers for all, including birds and butterflies. She has studied the works of Louise Riotte on the particulars of Astrological Gardening, using the moon to maximize beneficial practices and save effort in the garden. She writes a weekly newsletter to advise gardeners on the timing of their gardening activities to align with the moon phases and signs. She is available for virtual or in-person garden consultations and home cooking services on Long Island, NY.
http://www.karinfalconekrieger.com/
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Maggie Bloomfield – The Living and the Dead
The Living and the Dead – Maggie Bloomfield
Based on a work by Aurelio Torres and the research of Ian Urbino
Like a cypress with two trunks
pillars ascend from the deep,
holdm tangled wires of steel,
a network of rusted cages symbolizing
the chaos and disregard for oceans-
the Asian Pacific,
the West African Atlantic.
How seductive a life at sea–offering
freedom, escape from lives destabilized
by governments, laws, families,
guilt.
In the tortured spaces of these wires,
murder waits.
Davey Jones Locker a morgue,
ocean outlaws, sporting
dark fishing fleets, ghost boats.
Wishful fishermen,
naïve to the uncompromising greed
of companies and captains,
are conscripted, trafficked, enslaved,
sleep in caves beneath decks,
trawl 45 foot nets until their backs break.
Without enough squid or sea bass in their nets,
sent below to die of scurvy
or meet a watery death along with
piles of unwanted sea life- fish, porpoises,
coral reefs, trapped, tossed
to the bottom of the world.
Bodies of men and fish drift ashore,
discarded by illegal Chinese squid trawlers,
pollute Gambia’s once vibrant beaches,
left to become dust.
We don’t think about Dark Fleets
while sunning on our pristine beaches.
Eating chilean sea bass, we don’t consider
the carbon footprint of thousands
of unwatched, unmonitored
fishing boats.
These pillars reach up to the sky, expose
the crimes, offer awareness, sunlight,
hope
for a thousand Sea Shepherds,
Green Peace vessels,
to navigate the ravaged waters,
follow the black ships,
burn their nets, bring criminals to justice,
unwind and repair the world
where lifeblood begins–
the magnificent sea.
Maggie Bloomfield
www.maggiebloomfield.com
